wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

fragments is the sound of a band discovering its true identity: peeling back layers of bouncy math-pop beats and angular guitar hooks, leaving at its core a body of work that swirls with deep intensity and primal emotion. musically, fragments scrapes and slides like tectonic plates between the glistening melodies of foals and the raw drive of the joy formidable, whilst frontman matt holliday emits powerful and heartfelt declarations that leave you feeling like youre sat in a self-help group with the nationals matt berninger taking register.

the thing return with guitars (gasp!) from none other than otomo yoshihide. recorded by jim o rourke live at pit inn in tokyo, shinkjuku crawl documents the different aspects of the thing and how they are shaping and melting together with the wonderful guitar magic of yoshihide. otomo yoshihide first came to international prominence in the 1990s as the leader of the noise rock group ground zero, and has since worked in a variety of contexts, ranging from free improvisation to noise, jazz, avant-garde and contemporary classical.

2087 is inspired by the science fiction film -cyborg: 2087- (1966) by the writer arthur c. pierce, directed by franklin adreon. plot modification and soundtrack by jeff mills. it is the year 2087. the world had become a place where thoughts were not only monitored and restricted, but also, muted or reconstructed to favor the current rulers of earth and its inhabitants. the once exceptional human was merely reduced to a byproduct in the multi-dimensional industry of planetary hypostatisification. a boundless depository of cosmic energy controlled by an unknown force that had become too powerful to even reveal itself. a small and resourceful group of young scientists, engineers and devoted supporters create and send back through time a cyborg. a low technological invention consisting of human fibers and machine. out of desperation and precise planning, he is sent back to the year 1966 to prevent earths leading mathematician from thinking about the numeric breakthrough that would eventually lead to the mass thought control and human manipulation of the future. the cyborg (garth) soon discovers he is not alone in his mission, giving grave suspicion to possible traitors or spy within the young group of his creators. garth succeeds in finding and assassinating his target, but as the result, he alters the future and becomes the only remaining symbol of a time that never existed. a man out of time.

yuri mendez jr. has an amazing gift for composing good songs. he arranges them and records them brilliantly, and then groups them together on an album in an unpredictable yet cohesive way (his last album had 22 tracks. this one only has 8). uri mŽndez jr. is a true artisan in the best sense of the word. this is pajaro sunrises third album, and although the essentials havenÕt changed (good songs, great songs), the rest has certainly evolved. yuris voice sounds more and more emphatic, and with an extensive register full of nuances, he sings a story in every song. in doing this, he covers a stunning vocal range that dazzles from the first listen. yuri has been playing together with the same fantastic band for some time now. with them, he has rehearsed the tracks (many of which they were already playing in concerts), and then gone into the studio where almost everything was recorded with everyone playing live. the benefits of having a group that has already travelled together, as well as shared stages and life experiences are evident. and, if this disc breathes anything, its travel, highways, and familiar stories stolen from faraway places that also feel nearby. its a grandiose yet intimate album that thrills and grows with each listen.

closely related to underground resistance, scan 7 is a mysterious detroit underground collective gathering seven artists. the group is most famous for its ninja like appearances, often dressed in black with black masks and hats, the use code names to protect there true identification, they believe its not who you see, but what you hear that is the most crucial element in techno! associated with such labels as underground resistance, soma & f communications, scan 7 via their own imprint have brought together a double cd of detroit influenced techno.

surgeons fabric-cd sprźht vor leidenschaft & imagination. zwei eigenschaften, fźr die diese techno-legende steht. in seinem set verbindet surgeon bewŠhrte rave & techno-sounds mit moderner bassmusik, stellt links her zwischen oppression & reduktion, die bislang in dieser form noch nie decodiert wurden und erschafft so ein einzigartiges, generationen źberwindendes kunstwerk!

their bio reads: >recognizing the growing trend in mass entertainment industries, the comtron group acquired two dutch producers and added them -provided with limitless financial resources and a clear set of instructions- to comtrons vast legions of employees. these fine men took all necessary actions to create content for comtron groupÕs comtron, the electronic dance music act, resulting in 18 tracks to be compiled on mass media carriers which will be marketed around the globe from now on under the comtron groups company motto: >follow the money<. tip!

formed in the early 70s, the sounds of liberation was a group of philadelphia musicians. the sounds of liberation mixed jazz, funk, free jazz and spiritual jazz into a harmonious celebration of sound. with their infectious music they even found themselves playing long side kool and the gang at the 6th annual miss black america pageant. an incredibly rare record reissued for the first time on cd. this reissue was transferred and re-mastered from the original audio tapes and includes never before seen pictures

let me see you skank out! mrk1 cuts in vocals from his virus syndicate group while mixing up some of dubsteps finest new cuts for this latest mix, future:dubstep:03. when deciding who should mix future:dubstep:03 there was no hesitation in asking mrk1 he is undoubtedly one of dubsteps most established and respected figure heads. through his own contagious label, mix compilations including rephlexs grime (a key release in pushing the dubstep / grime sound to a wider audience) and releases on the genres biggest labels including two artist albums, mrk1 is without shadow of a doubt one of the genres most influential and successful artists. featuring on the compilation are three records from hatcha & kromestar as well as a host of records from mrk1 himself and bonus tracks from cyrus (of random trio). future:dubstep:03 also previews tracks from some of dubstepÕs best up & coming talent including the consistently genre chart topping bare noize (who also mixed future:dubstep:02), rebel sonix, scott nixon, rms and trimaxis

raw remixes and edits by kenny dope and the undercover brother

this fourth label compilation presents all dancefloor burners of the last 12 months on cocoon recordings in a diversified and coherent mix: martin buttrich, schneider & galluzzi, guy gerber, tiefschwarz, reboot, adam proll and timo maas undisputedly belong to the group of artists who have enhanced electronic dance music in the past year.

extra life is a new york-based band led by guitarist/ vocalist/ composer charlie looker, a core member of the noise/chamber group zs and collaborator for dirty projectors, john zorn, william parker and john zorn. formed in 2007, extra life combines elements of dark romantic pop a-la bowies berlin period, aggressive math rock a-la slint, modern classical compositions and medieval vocal music, which the album title, secular works, refers to. secular works is without a doubt one of the most unique albums weve ever heard. it is challenging and rewarding, complex but melodic, intellectual but within reach. for fans of xiu xiu, dirty projectors, the dead science and sun city girls.

cd41 is proud to present a unique new archive audio cd, usaaf at war 1943-45, featuring authentic actuality, interview and broadcast recordings from the second world war.usaaf at war 1942-45 features 70 minutes of rare audio material recorded before...